JULIANNA | PRINTED ELEGANT DRESS

Spring has arrived in Sandton, and we're celebrating the new season with our Spring Sale. To make it easier to take more than one piece home, we're rewarding you for buying more:

• 2 items: extra 10% off
• 3 items: extra 15% off
• 4 items: extra 20% off
• 5 or more: extra 25% off

Applied automatically at checkout.

The cover-up is sewn in, so it can't slide off halfway through the evening.

Occasion dressing has a specific failure mode on a fuller body, and it is almost always the arms. The dress itself is fine; the upper arm is the part most people want covered, so a separate shrug, bolero or wrap gets added on top. That extra piece has nothing holding it in place. It creeps back off the shoulder every time you move your arm, so you spend the evening pulling it forward, and by the time you sit down it has bunched behind you. The second problem is underneath: a close-cut sheath in a clingy stretch fabric maps whatever is beneath it, so bra bands, seams and waistbands read straight through the fabric. And the third is the horizontal line — most overlays finish in a straight band across the hip, which lands the hardest line in the outfit at exactly the widest point.

Julianna deals with all three in one layer. The sheer cape is attached at the neckline, so it is part of the dress rather than something balanced on your shoulders — it cannot slip, and you never adjust it. It covers both upper arms to the elbow without adding a second garment to keep track of or take off when the room warms up. Instead of a straight hem across the hip, its front edge runs as one long diagonal from the lower left of the body up to the opposite hip, so there is a line travelling down the body rather than a band cutting across it. And because the cape hangs free of the sheath underneath rather than sitting against it, the outer layer floats over the body instead of clinging to the seams of the layer beneath.

Why it works

• Cape attached at the neckline: it is sewn into the dress, so it cannot slide off your shoulder or need re-draping all evening.
• Cape sleeves covering the arm to the elbow: the upper arm is covered without a second layer to carry, adjust or remove.
• One diagonal front edge instead of a straight hem: the overlay finishes on a long line down the body rather than a horizontal band across the hip.
• Sheer overlay hanging free of the sheath: the outer layer skims instead of clinging, so it does not map the seams of what is underneath.
• Round crew neckline with no front fastening: nothing to button, so nothing to strain or gape across the bust when you reach or sit.
• Print on the floating layer, plain colour on the fitted one: the pattern sits where the fabric is loose, so it does not stretch or distort where the dress is closest to the body.

Fit note

The sheath underneath is the fitted part of this dress and the layer to size for — it is cut close through waist and hip, so if you are between sizes or carry most of your width through the hip, take the larger one. The sheer cape floats free either way and will not look tight. The hem of the sheath sits at the knee and the cape falls longer at the sides, so the two lengths read as one shape rather than two. The cape is light and lifts a little as you walk. Available in Blue, Red and Green. Sizes M to 4XL.